Början

Around a year ago I lamented
the loss of one of my favourite authors, Ursula Le Guin. However, the loss of
Gene Wolfe is a greater blow as I have listed him as my favourite writer on several
occasions. That he died on Palm Sunday and the advent of Holy Week is fitting
for somebody whose faith was important to him on both a personal level, as well as a strong but subtle influence on
his writing and perhaps most prominently seen in his most famous work: The Book
of the New Sun. Though Wolfe himself described less as an allegorical reference
to Christ but more “a person achieving Sainthood”. I first discovered Wolfe (as
I have said elsewhere) through his short fiction, and “The Eye Flash Miracles”
was the first story of his I read—to be found in one of Damon Knight’s Orbit
anthologies. Ursula Le Guin pointed to
In the Shadow of the Torturer (the first volume in the book of the New Sun),
and the rest is history. Many fine obituaries are being written, but as I did
with Le Guin, mine will be a personal reflection.

Exactly 32 years to this day I met Gene for the first and last time. It
was my very first Science Fiction convention, the annual British event held that
year in Birmingham again at Easter. Wolfe wasn’t a guest of honour he was
simply just there. A year or so earlier I had written a perspective on both the
last book of the New Sun Quartet and the books leading up to it, for which I had won 2nd prize in a
BSFA competition (an enthusiastic but somewhat naïve account of somebody in
his early 20s). When I realized Gene Wolfe was at the con, I brought my recent
copy of his latest book, Soldier of the Mist for him to sign (see below). I
joined the long signing queue, but when I got to the front I froze and
spluttered when he asked me how he should dedicate the book. I muttered
something about having reviewed his book. Hence that’s what he put underneath
his signature.

His books were never bestsellers in the
traditional sense: he was very much a writer’s writer, but as was said on the
cover of one of his books he brought “that literary rarity, wisdom” and I
believe, truth. I may write more later, but given the week we are now entering
maybe look up his short story “Easter Sunday” which is available on the net and
published back in 1951 http://www.revolutionsf.com/fiction/eastersunday/01.html

If you’re new to this blog and have come as a result of my
interview with Andy Chamberlain on Creative Writers Podcast, welcome. As the
result of both my nervousness and the ensuing slips of memory, several helpful
things I wanted to say remained unsaid, particularly some practical tips—the
hallmark of the podcast. Therefore, I decided that I should use my blog to try
and rectify this and add value to the broadcast.

First, it’s important
to point out you cannot leave messages here. The blog is a side offering of my
web hotel and not set up for this. So if you wish to comment to me directly or
get in touch for other reasons please use
the following email: cj@cjohnarthur.com. Thanks.

A few extra tips and tricks…

Book circle:
Another element that has helped me on my writing journey is a Science Fiction
book circle. We meet once a month and discuss a chosen SF or, less commonly, a
fantasy novel. This has been useful in
two ways. In general, the process of reading and writing go together. I’m not a
quick reader and once I started writing,
a book a month is all I could manage. More particularly, since most of the time
it’s not necessarily my choice, we’ve read a diverse selection of different writers.
Left to my own devices, I would probably just
follow my favourite authors. This venue has given me an appreciation of the
current SF scene. Especially when you are writing genre fiction, it’s important to know what’s current as always what you
write is a conversation with an existing
body of work. During recent years writers of literary fiction have produced
genre tinged works that seem to ignore this kind of dialogue.

The consultation of
experts: I realised early on that I
would need to talk to some professionals in the areas the book touches. First
and foremost, of course, a policeman. Before I started to write the book seriously, I met a couple of times with a
Stockholm police inspector, firstly over lunch—always a good ploy when
somebody’s doing you a big favour. I outlined the basic plot of the first
section and heard from him more about how the Swedish police work in practice. This is different from the UK, though the
overall legal structure has some similarities with the Scottish system and that
from the US. Especially new to me was the relationship between the prosecutor
and the police. I can also draw on a Swedish prosecutor who is an established
member of SF fandom. However, as she has said, even Swedish police procedurals
struggle to portray the relationship between the prosecutors and police
correctly. Fortunately, my police inspector thought there was some flexibility
as the story was set sometime in the
future! As a result of my first meeting with him,
I got invited for a tour of the central police station where both he and my
fictional inspector are based. Regarding
the issue of prostitution, I’ve had my
friend who works helping people trapped in sex-trafficking look through the
drafts and make comments.

Grammarly: As I noted in the podcast, my meticulous English
teacher was replaced by a hippy with a much more relaxed attitude to grammar.
Grammarly is an online application that helps keep me right in this area. There’s
a free version (which is worth trying out) and
a paid for version that gives a lot more features and can be incorporated into MS Word. It’s
not foolproof grammar checking, and
occasionally I disagree with it and go to grammar books, but as a first-line
resource, I find it valuable.

Scrivener and
E-books: I referred to the writing program Scrivener several times during
the podcast often commenting that I would get back to it—but I never did. At
the recommendation of British writer Ian McDonald, I use this cheap writing
program ($45) for all my work, both short and long. It’s available for both Mac
and PC here: https://www.literatureandlatte.com/scrivener/overview.
In my short fiction what I liked about it is that you write your text and then
the program exports it in standard manuscript format, ready for submission. It
comes into its own though when planning and executing a longer work like a
novel. You can easily break things down into Chapters and scenes; there’s a cork board display which enables
you to organise Chapters/scenes at a
glance. There’s also a separate section where you can put research material
including pictures. All this information is kept together in one file.

There is one other way I use Scrivener in the process of
writing a novel which I think could be a generally
useful tip. Scrivener exports to standard ebook format, epub, and also Kindle Mobi format (but Kindle export requires an
additional program KindleGen which you can download for free from Amazon—see
more information in Appendix below). This export function I use in two ways.

1. When I have written a few chapters,
I export to an ebook format (usually Kindle, i.e.
Mobi format). You’ll be amazed how much
you can spot regarding errors when
reading your manuscript like a traditional book. Several Ebook readers are free
as is the Kindle app. The best reading device is some kind of pad or an actual Kindle, but with the screen size of modern
mobile phones, these are also now widely
available reading devices, and readers
exist for both iPhone, Android and of course Windows.

2. The ebook exports I can send to my beta readers, and it’s possible for them to introduce
comments and markup. This is how my both
my wife and daughter have read my book and given feedback. I use an Android pad, my wife uses her iPad, and my daughter uses her iPhone 6.

Miscellaneous resources

I used writing resources
available in book form or online, to stop me making fundamental mistakes with POV,
show vs tell etc. as well as to hone my craft.

Creative writers toolbelt Podcast (https://ajc-cwt-001.podomatic.com)
and book

Writing Excuses Podcast: www.writingexcuses.com

Books

Self-Editing for Fiction Writers, Renni Browne and Dave King –it has been said that if you can only buy one book on writing, this is it.

Readers Digest books by Nancy Kress, Orson Scott Card, Jeff Gerke-
the Card book is SF and fantasy orientated the other two writers have produced
works suitable for all genres but have SF
and Fantasy in their backgrounds.

Appendix: Exporting to Kindle Mobi
format using Scrivener.

The first thing you need to do is go to the Amazon website
(I used Amazon.com, I don’t know if it’s
also there on amazon.co.uk.). Search for KindleGen, download the file, unzip it
into a subdirectory where you can easily find it when selecting it from within
Scrivener. If you are in Scrivener, you can go to the compile selection found at the bottom of the File tab. Since I seem to have
KindleGen installed on all the computers that I use Scrivener on, I can’t quite remember how I set it up, but I
seem to recall that if you select Mobi (Kindle) to compile to, it prompts you
to find KindleGen. For this reason, I Googled it and found this helpful webpage
with illustrations.

http://susanrussoanderson.com/2018/09/18/how-to-compile-a-sparkling-mobi-in-scrivener-for-windows/

There are also several tutorials on YouTube if you search
KindleGen and Scrivner there.

NOTE I always get
an error message when exporting to Kindle format due to the fact I don’t have a
cover! And in terms of my experience level,
I have never tried to make a ‘proper ebook’ for public release. Looking at what
comes out in either epub or Mobi (Kindle
format) suggest that I need to do further optimisation
for a completely clean layout…;-)

P.S. And finally…

On the podcast, I forgot to
mention some important influences, most notably the father of Cyberspace,
William Gibson and also, because my focus was on SF and not Fantasy, C.S. Lewis.
Compiled in several different anthologies is a transcript of a recording made
by SF author Brian Aldiss featuring himself, Lewis and Kingsley Amis. This discussion
took place in C.S. Lewis’s study towards the end of his life. It’s worth reading
if you have interest in SF and/or any of the three authors mentioned.

In my writing journal here I’ve written about the short
story progress I’ve made and whilst I published my 3rd paid for
short story at the end of last year, the process from writing to print took
quite some time. Meanwhile, I’ve been beavering away at something at a much
bigger scale: a book.

The reason I’m flagging it now is that it almost exists (in
draft form) and I just recorded an interview with Andy Chamberlain (who runs
the excellent Creative Writer’s Toolbox Podcast) about both it and the process
of bringing it to life. So I can no longer hide its existence on this blog!

I had often thought of writing a novel, but in contrast to
my short fiction, I expected this would wait until retirement. The pensionable
age creeps ever upwards (now 67 in Sweden for a full pension and still many
years in my future). My dream was receding out of my grasp and I was starting
to get the ‘now or never’ feeling in my bones. My published fiction is very diverse in both
time, place and sub-genre, so what could I draw on for a work of novel length?
I wanted to set it in a future Stockholm and that directly related to two
stories that occupied my head even before I returned to writing fiction. The
outline of these stories is now crystallized in my novel’s Scrivener file and
they form the back story of my book. Whilst SF is my main literary interest, on
TV my main staple is detective shows and in both literature and TV I love a
good mystery. The second of these unwritten stories introduced a detective and
I latched on to him as my main viewpoint character.

Before ever putting
pen to paper (or, in fact, a finger to a keyboard—my preferred writing technique)
I wrote the back cover copy of the
projected novel for a writing exercise. Here it is:

As Stockholm
detective Inspector Dan Hallberg prepares for the increasingly outré
performance art produced by the city’s graduating art students, he is confronted with a harrowing truth by a woman
recently resuscitated from death. Until this encounter murder was the worst crime Hallberg had to contend with.

There is a human
drama being played out in a secret wing of a private hospital where people are
losing their identities–an attempt to cover an even greater conspiracy. To
solve this mystery, Hallberg needs to
find the victims and try to piece together their lives both in and out of the
virtual worlds they have lived and died in.
They, in turn, are relentlessly hunted by a very real assassin anxious to
complete his mission: a task entrusted to him by employers whose nature remains
hidden, even from him. He has never failed.

New SF writer C John Arthur—a dual
British/Swedish citizen–takes us to a future Stockholm where he blends the
underlying concerns of Stieg Larsson’s Millennium books with the virtual worlds
of William Gibson to confront us with some unpalatable truths of our modern
life and those that pay the highest price to maintain it.

Perhaps
you immediately think of Scandi Noir? I suspect the agent I mention below probably
did. Whilst the territory is necessarily dark, I felt I could bring a fresh take
by setting it about 30 years in the future and bringing some hope into the mix
and of course some other interesting elements.

I took this summary with me as I attended the writers’ workshop
held at the London World Science Fiction convention 4 years ago. We were
visited by an agent, and I pitched the novel. He seemed to like it and we had
some correspondence following the convention. Once I had a few chapters under
my belt he suggested sending them to him to look at. Since most agents these
days won’t look at something before a full draft is completed, it was an
enormous encouragement, and an incentive to start writing the book. This happy
beginning was thwarted by two major obstacles. 1. The next stage in the agent
process—if they like the first few chapters—is an outline of the whole book. I
didn’t have one and I felt I really needed one, I couldn’t pants it—writers’
slang for making it up as you go along.
So I felt there was no point getting the agent’s interest only to fall at the
next stage. 2. I have always prioritized my day job and that suddenly swallowed
both my time and more importantly my emotional wherewithal to write. If you
listen to the podcast you’ll much more about the whole process of bring the
novel to life.

It
is dangerous to boldly declare a title when title choices are one of the more
fluid aspects of publishing fiction—unless you are planning to self-publish. In
this case, however, the whole novel springs out of this title, and it also part of the mystery. It is a
metaphor, in the virtual worlds of the novel, for the future form of today’s
internet, cyberspace. So it’s a lament for what the future internet may become. Interestingly, Tim Berners-Lee, the originator of the current World
Wide Web has also lamented what has happened to his creation..

What
we remember defines so much of our personalities, robbed of this gift our
identities are distorted. The people robbed are on the margins of Swedish
society and the story follows a red thread from pornography and sexual abuse to
prostitution and sex trafficking. In the midst of this we meet a family broken
by tragedy and yearning for answers.

This
year marked the inaugural Stockholm Writers’ Festival. On the back of this they
established a new, annual International literary competition for the first five
pages of a long work of fiction or fact. To my surprise and encouragement, my
novel’s first 5 pages made longlist. That is, I was in the last 30 of more than
250 entries from around the world. The judge, who had a strong literary fiction
background, made the comment that he was pleasantly surprised at the quality of
the writing coming from authors of genre fiction…

Of course, it needs to be finished and redrafted—with
the help of my beta readers— but with the podcast soon to be released (links
will follow shortly) I have nailed my colours to the mast as a novelist and not
just short story writer. Watch this space.

With the haunting vocals of The Cranberries’ Dolores
O’Riordan still echoing through my brain (due
to her tragic early death at 46) I learnt of the passing at 88 of a true matriarch of science fiction and fantasy,
Ursula K. LeGuin: one of my favourite authors. At least she had had a long and
distinguished life rather than just a distinguished one. The week ended with
the news of the departure another long-lived icon, Ingvar Kamprad (91), better
known as the founder of the company that starts with his initials IKEA.

There are already many authoritative obituaries reviewing
the life and work of Ursula Le Guin, and
I take the wise path started by Alastair Reynolds of linking to them rather
than attempting my own.

https://christopher-priest.co.uk/ursula

https://www.tor.com/2018/01/24/bright-the-hawks-flight-in-the-empty-sky-ursula-k-le-guin/

What I write now is purely a personal reflection. My path of
reading SF started with E.E. (Doc) Smith purely on
the basis of the Chris Foss covers. However, I soon discovered the grand
old Triumvirate of Asimov, Clarke and Heinlein. During this time I was starting
to appreciate the writing dimension of the work and recognising though I
enjoyed the stories I was reading the writing and characterisation wasn’t in the same league as some of the mundane
fiction I read. I was starting to appreciate the role of style in writing and
had latched on to Roger Zelazny. I cannot remember the first thing I read of Ursula’s. It was probably one of her shorter
works, perhaps The Word for World is
Forest? It was also a process where my reading of SF was beginning to catch
up with what was currently being written,
(given the E.E. (Doc) Smith was first published in the I930’s) though most of
what I read of Ursula’s had been written many years before I got to it.

During my undergraduate studies,
I had little time to read science fiction. I was
very focused on science itself. However, my final year research project
happened after my final exams, and we were not allowed to work very late in the
labs. So for the first time in several years,
I had evenings free. I devoured The Left Hand of Darkness swiftly
followed by The Dispossessed. While I admired both,
I was more taken with The Dispossessed, perhaps because of the
central scientist character. Nowadays it
seems there is more focus on The Left
Hand of Darkness because of its gender perspective. I read virtually all
her published books after that. As
another critic has commented, Earthsea is perhaps her most perfect work.
Reading Ursula propelled me towards a number of
other female authors, including Joan Vinge, Vonda McIntyre, Kate Willhelm, C.J.
Cherryh, Mary Gentle and several more.

Although I had caught and
admired several of Gene Wolfe’s short stories before this, it was Ursula’s
quotation on the back of the Shadow of
the Torturer “Wolfe is so good he leaves me speechless” that launched me
fully into his work. The Book of the New
Sun is probably my favourite piece of SF. Ursula had a unique position not only because
of her excellent body of work but also
because she was a pathfinder and promoter for many other great authors.

This isn’t a reference to my demise,
but the appearance of my latest short story “The Mask Maker of Venezia” it’s
set in Venice, imagining that sea-going dinosaurs didn’t go extinct.

Several think this is my best story so far

Details of Extinct?

Edited by Dana Bell

The theme of the anthology is what would happen if something didn’t go
extinct. How would the world be different? They are a mixture of fantasy and
science fiction stories.

Paperback copy is Available from Amazon.co.uk

https://www.amazon.co.uk/Extinct-Various-Authors-ebook/dp/B0778XYJ67/ref=sr_1_1?s=digital-text&ie=UTF8&qid=1512219338&sr=1-1&keywords=Dana+Bell+Extinct

From Amazon.com

https://www.amazon.com/Extinct-Various-Authors/dp/1942450656/ref=sr_1_cc_1?s=aps&ie=UTF8&qid=1512219667&sr=1-1-catcorr&keywords=Extinct+Dana+Bell

These links lead to both Paperback and Kindle versions

If you want a cheaper electronic version

Here is the code to download an Ebook copy of Extinct? With 25% discount at Smashwords:

Go to https://www.smashwords.com/books/view/757974 and
use coupon code: FW94X

This offer ends 31st December 2017. You need to join
Smashwords to do this, but it’s a free join up.